The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlie...(展开全部)

Paul Johnson turns his great gifts as a popular and much-translated historian to a subject that has enthralled him all his life: the history of art. Art, he believes, was central to human development, more so than writing and even language. This history begins with the earliest rock paintings around 30,000 BC and takes us right up to the present day. E.H. Gombrich's legendary b...(展开全部)

Book Description In Art: A New History, Paul Johnson turns his great gifts as a world historian to a subject that has enthralled him all his life: the history of art. This narrative account, from the earliest cave paintings up to the present day, has new things to say about almost every period of art. Taking account of changing scholarship and shifting opinions, he draws our...(展开全部)

The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlie...(展开全部)

The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years. Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term 'the new art history'. He distinguishes between these and earlie...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

Across the humanities and the social sciences, disciplinary boundaries have come into question as scholars have acknowledged their common preoccupations with cultural phenomena ranging from rituals and ceremonies to texts and discourse. Literary critics, for example, have turned to history for a deepening of their notion of cultural products; some of them now read historical do...(展开全部)

摩根•福尔克纳（Morgan Falconer），艺术评论家，常驻纽约记者，为Art Review，The New Statementsman，Modern Painters等众多报刊撰写文章。

玛丽莲·斯托克斯塔德（著）： 教授、艺术史学家、策展人，曾任美国“高校艺术协会”（ College Art Association）主席、国际中世纪艺术中心主席，为斯潘塞艺术博物馆创始馆长，荣获美国女性艺术核心委员会（Women's Caucus for Art）终身成就奖、堪萨斯艺术委员会年度艺术教育家。《时代》杂志将她评为大学最受欢迎的100位女作家之一。 迈克尔·柯思伦（著）： 斯沃斯摩尔学院的艺术史教授，他曾任该院的美术系主任、中世纪研究协调员及人文中世纪、罗马艺术及建筑课程、美术通史课程等。 王春辰等（译）： 中央美术学院教授，博士生导师，中央美术学院美术馆副馆长，第55届威尼斯国际艺术双年展中国馆策展人，从事当代艺术与批评研究工作。